i.j.PINO
H.Ister.i.ja TouR mitt h*man preselitev 2000 – 2020
Karas Gallery, Kralja Zvonimira 58
September 15– September 27, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition H.Ister.i.ja TouR mitt h*man preselitev 2000 – 2020, by i.j. PINO, will be opened on Tuesday, September 15 at 7 pm at the Karas Gallery (Kralja Zvonimira 58).
(…) “Uljanik is a brother.
Once you get a job and experience all aspects of working in a collective – everyday, persistent and productive (within the limits of your abilities) you do not need much to realize that your best intentions and efforts do not differ in the slightest from those of your colleagues in any other collective.
In positive things we are all equal, and in negative things we turn into completely different monsters – depending on our imagination, the quality of stomach acid, and the level of moral numbness.
Uljanik is a brother who was killed by monsters.
Unfortunately, he is not the only one, and there are plenty of mortally wounded – unaware of their terminal condition, they walk through Pula like an army of zombies in an invisible apocalypse.
They are not dangerous, but if you look a little closer, they will break your heart.”
From the preface, written by Boris Vincek
ABOUT THE ARTIST
performer, visual artist, musician. He has been known to the alternative cultural scene since the beginning of the seventies when he entered the conceptual and performance circle. At that time he created ‘mental spirit music’ with friends, and under the influence of Beuys, he opened processes for creating so-called ‘social sculpture’, with which he begins to belong a small group of conceptual artists who engaged in questioning socialist value systems, primarily the meaning of work and the position of workers.
i.j.PINO’s position outside the center and his experience as a worker at the Uljanik shipyard secured him the ‘right’ to further radicalization in the field of art. During the eighties, he realized his artistic interests by combining the media of music, performance, and fine arts (alter rock group GustapH y njegovi dobry duhovi, and since the nineties, the public knows him as one of the most provocative Croatian performers, but also as an alternative new media experimenter (telephone concert Netz/Mreža, for Radio ORF).
Proud record holder for attendance at one event/performance (approx. 40,000 visitors, ´Theater like a Life / Life like a Theater or Life is hot pepper…´ Pula / Cro a Ti
All other stupidities can be read in the daily, weekly, and periodical newspapers of this area….
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Exhibition closing event
PERFORMANCE
…GRAN kacata finale, un Gran fumakajo., smo ga pofumali…
26.9. 12PM
Organizer:
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until September 27, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors. The Gallery can hold up to 5 people at a time.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.
Croatian Association of Fine Artists would like to thank all the participants for a large number of high-quality applications and participation in the competition for the exhibition program in 2021.
HDLU Artistic council consisting of Branka Benčić, Tomislav Buntak, Ivan Fijolić, Kristian Kožul, Marijana Stanić, Jelena Bando and Josip Zanki have selected the following exhibition to be included in the program proposal for 2021.:
BAČVA GALLERY
PM GALLERY
PRSTEN GALLERY
KARAS GALLERY
The HDLU Board of Directors has approved the following exhibitions for inclusion in the HDLU 2021 program proposal:
PRSTEN / PM / BAČVA GALLERY
PRSTEN GALLERY
BAČVA GALLERY
KARAS GALLERY
The HDLU Arts Council has selected the following exhibition to be included in the program proposal for 2022.
BAČVA GALLERY
KARAS GALLERY
PM GALLERY
Thank you for participating and congratulations to all selected applicants and artists!
*NOTICE:
Selected applicants will be contacted to provide more information within the next 2 weeks due to the purpose of preparing applications for funding.
Results of the competition are not binding for the HDLU. Project realization depends on secured funding for the project. HDLU submits applications for funding in September 2020. All the selected applicants are encouraged to apply for additional funding (production, accommodation, transport of the works, and daily allowances…) in their own countries. Selected applicants will receive the final confirmation for the exhibition once the public funding results are announced.
ŽELJKO BELJAN
MYTH, EMBROIDERY AND VUTEKS
Karas Gallery, Kralja Zvonimira 58
July 7– July 19, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition MYTH, EMBROIDERY AND VUTEKS, by Željko Beljan, will be opened on Tuesday, July 7 at 7 pm at the Karas Gallery (Kralja Zvonimira 58).
(…) “The embroidery motifs have been changed in Beljan’s alternate reality, they are no longer meant for idyllic kitchens or ethnographic collections in heritage museums, but for the artist’s personal ritual in which he, like a shaman, liberates his own past and changes its course. Just as Saša Božić and Petra Hrašćanec play with the choreographies of folk dance groups in the dance performance Kolo (The Circle Dance) (2019), creating an almost futuristic traditional performance, Željko Beljan also takes us to the psychedelic sky, the same one where we will share a messianic vision with pigs, dolphins, and ducks. In this sky, everything is truly possible in a simultaneous reality. ”
From the preface, written by Josip Zanki
ABOUT THE ARTIST
Željko Beljan was born on June 17, 1984, in Vukovar. Since 2016, he has been studying at the Department of Animated Film and New Media of the Academy of Fine Arts in Zagreb. He has been engaged in illustration, comics, and poster production since 2010. He had his first solo exhibition in 2016 in Osijek. He is the author of numerous posters for various Zagreb clubs and other artistic initiatives and bands of which he is a member or associate.
Organizer:
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until July 19, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors. The Gallery can hold up to 5 people at a time.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.
KARLA ČURČINSKI AND LAURA MARTINOVIĆ
THE EFFORT OF INFINITY. I’M AFRAID TO DREAM
Karas Gallery, Kralja Zvonimira 58
June 23– July 5, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition THE EFFORT OF INFINITY. I’M AFRAID TO DREAM, by Karla Čurčinski and Laura Martinović, will be opened on Tuesday, June 23 at 7 pm at the Karas Gallery (Kralja Zvonimira 58).
ARTISTS´ STATEMENT
Through artworks on the topic of The effort of infinity, I fear to dream we question the current issues of culture in society, the form of cultural institutions and its society, and the limits of failure, success, and artist’s motivation. We present our own experiences and through the synonym of the bad in these situations, we create cultural symbols that are a reflection of the expected and known result.
We place great emphasis on a distorted illusion based on the relationships of the powerful and influential that are an indicator of success. Such a tool is an integral part of the society in which we live. If you work and have a little luck, is success a logical consequence? In the artworks, we show that little bit of luck. A little luck is found in a few drinks of coffee a day, too iodized wines, three hours of listening to gloomy monologues of philosophers, the company of smug or imaginary socialites, the despair of grovelers, God-given critics, and a promiscuous view from above.
The hard and dedicated work of the artist is put aside. He is not treated equally. Moreover, he is completely invisible. Maybe forever, and maybe just until a moment of little luck. How little luck is enough then?
ABOUT THE ARTISTS
Karla Čurčinski was born in 1993 in Zagreb. She graduated in graphics in 2017 in the class of Professor Svjetlan Junaković at the Academy of Fine Arts in Zagreb. She spent winter semester 2015/2016 in Belfast, Northern Ireland at Ulster University, majoring in illustration. She is the winner of two Rector’s awards. So far, she has had two solo exhibitions (Čekanje, Razvid Gallery, Zaprešić 2019 and San Stvarnosti, Živi Atelje DK, 2017, Zagreb) and has participated in numerous group exhibitions in the country and abroad, some of which are: 8th Croatian Biennial of Illustration , Klovićevi dvori (2020), Virtual exhibition “Illustrators Wall”, Bologna Children’s Book Fair, Bologna, Italy (2020), Bratoljub – the first illustrated dictionary of foreign words, Centar za kulturu Trešnjevka, Zagreb / Belgrade, Street Gallery (2019. ), Ilustrofest, Kalemegdan Fortress, Belgrade, Serbia (2019), 54th Zagreb Salon of Visual Arts – “Without Anesthesia”, HDLU, Zagreb (2019), 2nd Samobor Salon, Prica Gallery, Samobor (2019), APPOINTMENT, Dobra Vaga Gallery, Ljubljana, Slovenia (2019), 36 Mountains, HDLU (2018), 7th Croatian Biennial of Illustration, Klovićevi dvori (2018), 8th Zagorje Art Salon, Krapina (2018), 4th Croatian International Self-Portrait Triennial, Prica Gallery, Samobor (2017), That’s a Mole, Turin, Italy (2017), Notte di fiaba, Riva del Garda, Italy (2017), Books to watch – books to read, Šira Gallery (2017), Together in Glass, Mimara Museum (2016), 3rd Croatian International self-portrait triennial, Prica Gallery, Samobor (2014). She is a member of HDLU and HULU. She lives and works in Zagreb as a graphic designer and illustrator.
Laura Martinović was born in Zagreb in 1993. She finished the School of Applied Arts and Design in Zagreb in 2012 and the same year she enrolled at the Academy of Fine Arts in Zagreb, where she completed her undergraduate and graduate studies in the graphic department. She obtained a master’s degree in graphics at the Academy of Fine Arts in September 2017 in the class of Svjetlan Junaković. She participated in a student exchange studying one semester at Ulster University in Belfast, Northern Ireland in the field of illustration and photography in 2015., from December 2017 to August 2018, she lived and studied in Barcelona, Spain where she did an internship at Metafora Art School as an illustrator and animator. She had her latest solo exhibitions at the SC Gallery in Zagreb, in March 2019 with the artwork Put haljine, and at the Pučko otvoreno učilište, Zagreb, CEKAO Gallery with the exhibition Rječnik katalonskih i španjolskih interpretacija. In June 2019, she participated in a group exhibition at the Arte Aurora Gallery in Barcelona, Spain. She is actively involved in experimental and 2D animation, and since October 2019 she has been working and collaborating with the Adriatic Animation studio.
Organizer:
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until June 7, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors. The Gallery can hold up to 5 people at a time.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.
MARKO ZEMAN
ORDINARITIES
Karas Gallery, Home of HDLU
May 26– June 7, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition Ordinarities, by Marko Zeman, will be opened on Tuesday, May 26 at 6 pm at the Karas Gallery (Kralja Zvonimira 58).
ARTIST STATEMENT
At Karas Gallery, I have exhibited works with motifs and topics that have been occupying me for quite some time. They have in common that they depict ordinary, everyday objects and situations. Mugs, pots, cutlery, watering cans, hands, feet, children’s play on a sunny summer day in the sandbox of the park, going for ice cream, walking through the woods… I tried to paint the motifs straightforward and as directly as possible, but visually interesting, concentrating on the clarity and beauty of the large forms present in objects for everyday use.
Also, the situations of encounters between everyday objects and man, i.e. the presentation of human states in certain situations, are artistically interesting to me. So in some paintings, I tried to evoke the nervousness and despair that overwhelms us when we are in the midst of the chaos of an unmade kitchen, standing in front of a pile of scattered and unwashed dishes. In contrast, a cup of warm afternoon coffee or a stroll through the flora of the forest is an attempt to evoke comfort and peace.
I come to the motifs by doing a large number of drawings. When I make a drawing that I think might work in the medium of the painting, I take a large format and get started. Thus, with a few medium-format paintings, the second part of the exhibition consists of a large number of small drawings, which served as a preparation for painting, or which were created spontaneously during the work on the paintings. do not consider most of these drawings to be finished and defined works of art, but I think that they are a necessary part of the artistic whole that I have exhibited. On them, one can see the process of looking for shapes and proportions. Some ideas arose from accidentally overlapping drawings that lay in the clutter of the floor or drawing table. I transferred this method to collage, which is a common and important element of my paintings. As I work, I bring into the painting everything I know in a painterly sense. And that never proves to be enough. Then I paint further, to the point where the painting becomes stronger and smarter than I am until it surprises me. If that surprise is unpleasant, I start over. If pleasant, the painting is done.
ABOUT THE ARTIST
Marko Zeman was born in 1975. In Zagreb. He studied painting at the Academy of Fine Arts in Zagreb in the class of Zlatko Keser. He graduated in 2010 under the mentorship of Zoltan Novak. He has exhibited in four solo and numerous group exhibitions. In 2015/2016 as an external associate, he teaches a drawing and painting course at the Faculty of Graphic Arts in Zagreb. He is a member of the HDLU and HZSU. He lives and works in Zagreb.
SOLO EXHIBITIONS
2020 Karas Gallery, HDLU, Zagreb
2013 SC Gallery, Zagreb
2011 Marisall Gallery, Zagreb
2009 Matica hrvatska Gallery, Zagreb (with M. Majić and P. Pavlović)
2009 Vladimir Filakovac Gallery, Zagreb (with M. Majić and P. Pavlović)
Organizer:
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays and holidays (May 30): closed.
The exhibition will remain open until June 7, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors. The Gallery can hold up to 5 people at a time.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.