Category: Exhibitions

The 51st Zagreb Salon Challenges to Humanism present 

NICOLE HEWITT IN COLLABORATION WITH JASMINA RAVNJAK, VIDA GUZMIĆ AND IVAN SLIPČEVIĆ

This Woman’s Name is Jasna ep 06 Metaphors, draft for a historical novel in the form of a ten-episode film

On Thursday, July 7, 2016 at 7.00 PM
Prsten Gallery 

jasna06Vizual – kopija

In the sixth episode, Jasna contemplates the power of metaphors, archives, repositories and models.

As part of the film mutation project that she has been working on for two years, Nicole Hewitt is presenting the draft for a historical novel in the form of multiple-sequel film/performance. Its starting point are the interspace between personal and official histories, the process of existence and absence from media, archives and society, the translation and transmission of social perceptions, the admission and omission from a collective memory of content, messages, images, films and theories. Building on the memories of an expert witness, her own personal memories, Jasna’s memories, the discourses that have shaped her as an author, the theories that have shaped her as a subject, the portrayals that have shaped her as an object, the war migrations that have shaped us all as dislocated and never in harmony with our own history, Hewitt’s historical novel in the form of a film allows an approach that derives from the documentary, but implies a narrative procedure and the fictionalizing of interrupted histories in various forms – film, text, slide show, performance / recitation.

On the project:

In 1991, Jasna was 23 years old. She studied comparative literature and philosophy at the Faculty of Humanities and Social Sciences at the University of Zagreb. In 2015, Jasna is 46 years old and works as an administrator at the International Criminal Tribunal for the former Yugoslavia in Hague. (…)

Nicole Hewitt has been expanding her previous work in the media of film, video, text and performance towards exploring the possibilities of documentary form within a fictional structure, while examining the specific qualities of film, verbal expression and the relationship between “the representation” and “the rhetoric”, as well as “fictional” and “real” time. Her new pieces, such as the performance series This Woman’s Name is Jasna focus more on expressing the language in fiction, recitative form, song and testimony.

In addition to film, Hewitt is engaged in the study of contemporary art in theory and practice. In 2013, she completed a PhD at the Slade School of Fine Art in London, with a doctoral thesis on the relationship between film, narration, dance, history and rhetoric.

She has been working as a curator since 2003, having conceived and realized a number of workshops, exhibitions and seminars. Hewitt currently teaches at the Department of animated film and new media at the Academy of Fine Arts in Zagreb. From 2009 to 2011, she was an external associate at the Department of Visual Cultures of the Goldsmiths College, and from 2014 to 2015 at the Cass School of Fine of the Art London Metropolitan University.

THE 51ST ZAGREB SALON OF VISUAL ARTS
based on the curatorial concept
by Suzana Marjanić and Marijana Stanić / 90-60-90: Contemporary art platform

“CHALLENGING HUMANISM”

Prsten Gallery and Bačva Gallery
Home of Croatian Artists
June 16 – July 17, 2016

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Mario Romoda
WATCHERS
PM Gallery
May 19 – June 5, 2016

ČUVARI DJETINJSTVA – kopija – kopija

Exhibition opening: Wednesday, April 20, 2016 at 7pm

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ZAGREB MOSQUE
Zoran Filipović
Gallery PM
April 20 – May 8

The celebration of the one-hundredth anniversary of the legal
recognition of Islam in Croatia in 2016

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Exhibition opening: Wednesday, April 20, 2016 at 7pm

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Josip Butković
COURTYARDS
Prsten Gallery
March 9 – April 10, 2016

HDLU pozivnica200x-1 – kopija

Exhibition opening: Wednesday, March 9, 2016 at 7pm

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ONES AND ZEROS
Sarah Lüdemann
Gallery PM
March 10- 20, 20016

Anna_kurz – kopija

Exhibition opening – March 10 at 7.30pm

“Such is the anti-oedipal strategy: if man is connected to the machines of the universe, if he is in tune with his desires, if he is “anchored”, “he ceases to worry about the fitness of things, about the behavior of his fellow-men, […]. If his roots are in the current of life […] [t]he life that’s in him will manifest itself in growth, and growth is an endless, eternal process. The process is everything.”

(Miller, Sexus)

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RETROPERSPECTIVE – These Works Could Be…
February 1 – 21, 2016
PM Gallery and Ring Gallery

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EXHIBITORS: Grgur Akrap, Željko Badurina, Gordana Bakić, Snježana Ban, Gordana Bralić, Tomislav Buntak, Božena Končić Badurina, Iva Matija Bitanga, Jelena Bračun Filipović, Igor Čabraja, Iva Ćurić, Viktor Daldon, Ivan Fijolić, Ivana Franke, Ivana Gorički, Željka Gradski, Marko Grill, Tea Hatadi, Ana Hušman, Zdravka Ivandija Kirigin, Đorđe Jandrić, Igor Juran, Marija Knezić, Jasminka Končić, Ana Krolo, Ines Krasić, Daniel Kovač, Nina Kurtela, Tomislav Lončarić, Marija Lovrić, Hrvoje Majer, Ivica Malčić, Janko Matić, Miroslav Mirt, Maja Marković, Božica Dea Matasić, Margareta Milačić, Zoltan Novak, Petra Orbanić i Marija Plečko, Dan Philipp, Predrag Pavić, Terezija Pisković Barusić, Vesna Pokas, Iris Poljan, Lala Raščić, Bruno Razum, Davor Rogar, Berislav Šimičić, Natalija Škalić, Tanja Škrgatić, Josipa Štefanec, Anita Šurkić, Karla Šuler, Ivan Tudek, Zorana Unković, Iva Vraneković, Miriam Younis, Ana Zubak

    In the vast multitude of contemporary art production nothing stands out for too long; it is like a work lives only for a moment, only to fall into oblivion a moment later. When things are so fast paced, some things manage to become a phenomenon, and some others, although valuable, inexplicably go unnoticed and remain incidental, forgotten in the end. These are, of course, some commonly adopted conclusions and mechanisms characteristic of the (contemporary) art system, which can remind us that it is sometimes necessary to resist the tendency and habit of fast consumption and oblivion, invite us to give a second look at those artistic values that deserve to be remembered, but slip by too quickly in this time of general relativism, dispersion and indifference.

In the present context it is important to look at individual and group artistic achievements of the generation of artists of the last decade and more, and exhibit together both the works that have become paradigmatic on the young art scene and the ones that passed unnoticed, but which “could be of historical importance.“[1]

We are, in fact, interested in what happens with the works after a length of time. Can “the historically suppressed contents be revised, revalued, though-out and become functional in the future, through the negation of the concept of linear development in time.“[2] In other words, will the exhibition of “forgotten“ works have a more important significance today than in the time when they were created? To what extent is it possible to expect a kind of catharsis, so to speak, or a revaluation, reaffirmation of the established values?

After all, what is of crucial importance for the recognition of an art phenomenon? Is it based on the current trends or an author’s identity, or on a somewhat bitter realization that “the fact that someone was given the opportunity to make an exhibition is more important than what will actually be shown at that exhibition.“[3] These are some of the considerations and fundamental issues that the exhibition wants to clarify and demonstrate, in order to provide at least partial answers, and possibly raise some new questions.

We believe that exhibited together, the selected works may come somewhat as a surprise. The exhibition includes works by several generations of artists who, among other things, share the same educational roots, i.e. they graduated from the Department of Art Education (Academy of Fine Arts in Zagreb). The works in question were created during their studies, in their formative period, the most sensitive period of searching for their own artistic identities. The period covered is not defined by a strictly limited time frame, but by preserved works, their availability, existing documentation, reconstruction, author’s willingness. Also, the specific importance, or characteristic of the proposed concept, is the inner perspective of the protagonists themselves – artists in the role of the curator, who have this experience.

Snježana Ban, Tea Hatadi, Ante Rašić

The exhibition is financially supported by the City Office for culture, Education and Sports Zagreb and by The Ministry of Culture of the Republic Croatia.

 

WORKING HOURS

Tuesday to Friday 11am – 7pm
Saturday and Sunday 10am – 6pm
Mondays and holidays – closed

Dom hrvatskih likovnih umjetnika
Trg žrtava fašizma 16
10000 Zagreb

 

[1] Paraphrasing the famous title of Braco Dimitrijević’s photographic works.

[2] Branko Franceschi, from the foreword to Željko Kipke’s exhibition, explaining retrofuturism in his work.

[3] From Goran Trbuljak’s famous work.

Info

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Tuesday – Sunday: 9am – 12pm / 4pm – 8pm
Mondays and holidays closed.

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