Category: Exhibitions
15 October 2024
CREART 3.0: KARAS+KVART
TRANSPARENCY AGENCY
KARL IARO & LUANA LOJIĆ
We cordially invite you to join us for a series of events realized during the international artistic residential program „KARAS+KVART” in which Luana Lojić (HR) and Karl Iaro (DE) participated, as a part of the EU project CreArt 3.0 in which HDLU is one of the partners.
This year’s artists in residence recognized as particularly interesting the nearby Kvatrić market, as well as the building above it, which hosts various functions: from the city library, to a variety of bigger and smaller businesses, to the gym and cafe integrated in it. In the same building (entrance from Martićeva street 67), on the second floor they founded and launched their own agency – Transparency Agency, in the manner of con event, which in a playful and dashing way explores the innovative and artistic use of space.
Karl Iaro and Luana Lojic, therefore, solemnly invite to the public opening of Transparency Agency on the second floor of the southern wing of the Kvatrić market building. Transparency agency will, from 19th to 24th of October, deal with promotion and popularization of empty spaces within the Kvatrić building, consultations for use and interdisciplinary activities in the area of Kvatrić and personal advice in the field of public simulacrum. On Saturday, 19th from 8PM to midnight, agency employees will continue to use the office for leisure, dance and entertainment after working hours. On that occasion, the music sector, cultural workers – 0.111mg, Babilonska, SZCH i princeza gusaka – will remain in the office until late at night playing their favorite songs.
During three weeks of intensive residence, two artists strived to explore and get to know the market and the building, its inhabitants, customers, their mutual needs, as well as they sought to point out (artistic) potentials hidden in two locations. In this context, Karas Gallery is the starting point that dissolves and spreads north as a space for recording reflections, found and newly created, and as one of digital but tangible extensions of intertwined spaces, ideas and plays.
Join us for the series of events through which you will be able to meet the artists themselves, their Agency, co-existence of public and private space of the building, market and its surrounding, as well as the segments from the past and the speculated future.
PROGRAM
Saturday, 19th October
17-22: join the Gallery Rally at the Karas Gallery, where you will get a glance at the research segments of two artists
20-24h: we’re preparing DJ session on the second floor of the building (Martićeva 67) with the program of four guest DJs ( 0.111mg // Babilonska // SZCH // princeza gusaka)
Monday 21st October
16-20h: join the artists at the delicately decorated Agency (Paula Tončić) and learn more about it (second floor of the building on Martićeva 67)
at 18h: join the building tour and lecture about it’s air flow led by architect Mirna Udovčić
[The lecture starts with information on the development of the building, continues with a tour of characteristic spaces and placing the extraordinary existing situation in the climate context. The building is a model example of junkspace: chaotic and fragmented spaces of modern buildings that lose their architectural structure and identity. The forces of designing such spaces are air conditioning, commercialization and continuous expansion. In this case, however, forces stumble and leave the remains of these spaces as a resource. Culture is a new force that enlightens such spaces and dares to see their bright future.]
Tuesday, 22nd October
16-20h: join the artists at the delicately decorated Agency and learn more about it (second floor of the building on Martićeva 67)
at 18h: Karl’s Jello caustics workshop at the Agency
[Join us and explore the hidden connection between the light and a fluffy gelatin. We’ll be bending light with something so soft, almost like a slug. Workshop is planned for up to 5 people gifted with patience, so please confirm you participation via social media or karas.hdlu@gmail.com]
Wednesday, 23rd October
16-20h: join the artists at the delicately decorated Agency and learn more about it (second floor of the building on Martićeva 67)
Thursday, 24rd October (CANCELED DUE TO ILLNESS OF ARTIST!)
at 18h: join Luana’s experimental storytelling beginning in Karas Gallery (Zvonimirova 58)
[The experimental storytelling about Kvatrić will be realized through the format of the “list of mere mortals”. The list of mere mortals is a performative research and experimental multimedia tradition which takes as a starting point the hyperfocus, leisure, recording, gathering and intimate interpretations related to the natural and poetic properties of knowledge, in this case Luana’s favorite appearances on Kvatrić and their aura. The artist will practice her associative storytelling from one person to more people. She’ll think about the preference to discarded things and the idea of pleasing palpitations, gaming, entertainment, sensations and disappointments.]
About artists
Karl Iaro
Karl Iaro is a visual artist based in Regensburg, Germany. Many of his works evolve around playful explorations of light and motion phenomena and the mechanisms connecting them. He earned a BA in Industrial Design in Regensburg, completing his Erasmus studies in Barcelona, followed by an internship in industrial design at Porto’s studio ideia.m and another one at opo.lab. He has been developing his independent artistic practice since 2018. His work springs from a joyful and loving perspective which blasts beauty as an agent for engagement. n the process he likes to apply an hands-on approach, embracing any kind of material, medium or technical device. After focusing mainly on objects and installations he further implemented multimedia, social events, interventions and stage design to the scope of his exerted artforms. As part of a collective „Kulturviertel“ in Regensburg, managing a sociocultural space, he gathered experience in cultural organizing, curating, event management and also political action. Recently he started taking his practice out of his incubator Regensburg, availing himself to the opportunity of hitting a bigger playground.
Luana Lojić
Luana Lojić is an artist and experimental factographer based in Croatia whose practice orbits around narrative texts, spatial playlists and multimedia installations. She imagines sensory data as a wide, autonomous, free, chaotic, elastic and promiscuous being. In her work she often explores topics of geomotionality, object empathy and sensuous waste. She turns to media translations, wordsmithing, dialogues and delicate visual entities as love gestures in times of crisis. She shares her life with her companion dog Ulla and constitutes one sixth of the art collective The Lovers.
Within the project:
Partners:
Supported by:
Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them.
[Project number: 101128499]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
07 October 2024
On October 11, 2024, there will be an open studio day/exhibition of the first residency De/Construction of Painting, as part of the European project Creart 3.0.
Artists: Ante Dujmović (HR) and Daria Titova (UA).
DE/CONSTRUCTION OF PAINTING CONCEPT:
The project De/construction of Painting encourages and addresses contemporary artistic practices within the context of the visual arts center of Eastern Germany, Leipzig, which has transformed into a global hub for the arts with a focus on the painting scene. The former industrial complex Spinnerei in the Plagwitz district spans 10 hectares and has been almost entirely renovated, now serving as the heart of the local and international art scene with 12 galleries, the non-profit art center Halle 14, and around a hundred resident artists. The residency program De/construction of Painting tries to answer the following questions:
- To what extent is the idea of an image/painting still a cultural construct within various dichotomies (Western-Eastern, industrial-post-industrial)?
- How does the media in which the painting is formed correspond to the concepts of representing different realities?
- What is individual in the image/painting and what is symbolic or universal?
Part of this year’s residency program takes place within the EU project CreART 3.0, a European network of medium-sized cities aimed at exchanging experiences and best practices to promote contemporary art through a continuous transnational mobility program for emerging artists, curators, and cultural workers, in order to maximize the economic, social, and cultural contributions that creativity can bring to local communities. As part of the EU project CreART 3.0, 4 residencies will take place in Leipzig in 2024, each lasting 5 weeks, including 2 Croatian and 2 foreign artists from the network of cities.
Project web page: https://residencyleipzig.hdlu.hr/
Ante Dujmović was born in Zagreb year 1999. He was educated in Applied Arts High School in Department for Metal Design. He graduated at the Academy of Fine Arts in Zagreb with BA degree in New Media year 2022. He is a multidisciplinary artist with interest in all forms of art and materials. Since year 2023 he is member of the Croatian Association of Fine Artists. He participated in many exhibitions and projects in Croatia and abroad.
Daria Titova is a young twenty-year-old artist from Kharkiv, Ukraine. She completed her undergraduate studies in Graphic Design at the Estonian Academy of Arts. She is the author of several projects, including the design of the 2-euro coin “Glory to Ukraine” (2022); she was the winner of the competition for a wallpaper design for a kindergarten that Estonia built in Ukraine (2023); her work was selected for presentation in the Tallinn Adidas store (2024); and she created 12 murals for the new hospital (Health Center 2) and is currently working on an animated educational platform for the same center (2024).
Within the project:
Partners:
Supported by:
Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them.
[Project number: 101128499]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
12 September 2024
OVERDEVELOPED
Fedor Vučemilović
Galerija Kvart
On Saturday, September 14th at 8 PM, the renowned Split Gallery Kvart will open an exhibition by Croatian photographer and conceptual artist Fedor Vučemilović. The exhibition showcases the artist’s multimedia series created during his stay in New York. Vučemilović’s work to date spans the realms of conceptual and post-conceptual art, visual arts, and expanded media of photography and video, in each of which he has demonstrated a tendency for experimentation and pushing boundaries. This approach and reflection have resulted in an artistic oeuvre that encompasses all types of photo media, and this series, which captures the rhythm and currents of the vast New York City, emerges from that trajectory.
06 September 2024
14.9.—13.10.2024
DE/CODING TEXTILE.
CONTEMPORARY ART REFLECTING TEXTILE TRADITIONS
CURATED BY
Maria Christine Holter
ARTISTS
Yasmina Assbane, Yana Bachynska, Željko Beljan, Bik Van der Pol (Liesbeth Bik & Jos Van der Pol), Tanja Boukal, Anetta Mona Chișa, Larisa Crunțeanu, Megan Dominescu, Bernhard Frue, Aurora Kiraly, Zoya Laktionova, Kamruzzaman Shadhin, Iza Tarasewicz, Christina Zurfluh
The exhibition DE/CODING TEXTILE. Contemporary Art Reflecting Textile Traditions brings together works by fifteen artists from nine nations that were created during residencies organised by AFAR (Artists for Artists Residency Network) in Mulhouse (F), Maramures (RO), Bucharest (RO), and Zagreb (HR) in 2023/2024. Referring to the historically influenced environment of the four production sites, the selected artists react with personal artistic expression and a wide variety of media. The virtual meets the analogue, smooth meets fluffy, tradition meets deconstruction, “typically male” meets queer and feminist, deadly serious meets pop humour.
Accompanying the exhibition, the VIENNA TEXTILE TALKS (20 September 2024) will feature outstanding guest speakers who will explore the question of why textiles are increasingly gaining ground in contemporary art and what contribution the positions represented in the Factory can make to the current art discourse. Works by five members of the Künstlerhaus Vereinigung will be included in the discussion.
The Artists for Artists Residency Network (AFAR) is an EU co-funded project, aiming to improve the mobility of contemporary visual artists and curators in the four European partner nations — Romania, Germany, Croatia, and Austria. The project is led by the Romanian Association for Contemporary Art (ARAC) with three consortium partners — the Goethe-Institut network, the Croatian Association of Fine Artists, and the Künstlerhaus Vereinigung Vienna. An associate strategic partner of the project is La Kunsthalle Mulhouse which is also the Centre d’Art Contemporain d’Intérêt National de la Ville de Mulhouse.
Following Vienna, new exhibitions in Zagreb (curated by Josip Zanki) and Bucharest (curated by Anca Poterasu) will follow.
More information on the websites of AFAR www.afarnetwork.com.
Within the project:
Project partners:
HDLU part of AFAR project is supported by:
Co-funded by the European Union – CREA-CULT-2022-COOP. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or European Education and Culture Executive Agency (EACEA). Neither the European Union nor the granting authority can be held responsible for them. [Project number: 101100309 ]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
The Croatian Association of Fine Artists (HDLU) and the Museum of Contemporary Art (MSU) Zagreb invite you to the opening of the retrospective exhibition Picelj and Friends by one of the most prominent Croatian artists of the second half of the 20th century, Ivan Picelj. The opening will take place on Thursday, September 19, at 7:30 PM at the MSU Zagreb. This first comprehensive retrospective of Picelj’s work since his passing is organized on the occasion of the 100th anniversary of his birth (1924–2011), and the exhibition is curated by Prof. Zvonko Maković, PhD. The retrospective will remain open until November 17, and during its duration, a rich and diverse accompanying program of films, educational activities, and discussions will be organized, along with numerous guided tours.
The exhibition Picelj and Friends showcases Ivan Picelj’s remarkable and extensive body of work, highlighting his innovative contributions to the field of art and emphasizing his key role on the international art scene. Ivan Picelj was a leading figure in abstract art in the 1950s and a member of the art groups EXAT-51 and the New Tendencies movement, which placed the city of Zagreb on the global map of artistic events. His works are featured in the collections of prominent museums worldwide, such as the Museum of Modern Art in New York, Tate Modern and the Victoria & Albert Museum in London, the Centre Georges Pompidou in Paris, and the Muzeum Sztuki in Łódź, among others.
As the exhibition curator Zvonko Maković points out, Ivan Picelj is important not only as a distinguished individual and artist who, in challenging times, introduced abstract art while consciously referencing the great predecessors of the early 20th-century avant-garde, which had a negative resonance in the social and political context of that era. Picelj always linked his art with that of his close collaborators and friends. From his earliest days, Picelj aspired to collective recognition rather than individual acclaim. He was the one who established connections abroad, thereby creating opportunities for Croatian artists, not just himself, to be represented at relevant exhibitions worldwide as early as the 1950s, and in reputable galleries. Additionally, Picelj’s work demonstrated clear connections that integrated Croatian art of the 1950s into the artistic currents emerging in major, predominantly European, cultural centers of that time.
All of the aforementioned reasons are the main impetus for expanding the retrospective exhibition Picelj and Friends to include all aspects of his work, from painting to objects, as well as graphic design, encompassing posters, book design, catalogs, and magazines. Alongside Picelj’s works, the exhibition also features pieces by the artist’s friends, all of whom were prominent figures of his time: Yaacov Agam, Getulio Alviani, Hans Arp, Mihajlo Arsovski, Vojin Bakić, Vladimir Bonačić, Carlos Cruz-Diez, Ivo Kalina, Julije Knifer, Almir Mavignier, François Morellet, Vladimir Kristl, Božidar Rašica, Jesús Rafael Soto, Aleksandar Srnec, and Victor Vasarely.
Ivan Picelj’s exceptional creative work will be further highlighted through a diverse range of thematic accompanying programs at MSU Zagreb, designed for visitors of all ages. Workshops include MSU mali i veliki (October 5), intended for children aged 4 to 10 and their parents or older companions, and MSU kreARTivka (November 9), aimed at children aged 6 to 10. Additionally, there will be an exhibition of works by primary and secondary school students titled CreArtivci (November 14-17). The film New Tendencies will be screened on November 15 at 6 PM, followed by a discussion with relevant experts.
A series of lectures will also be part of the program, featuring: Prof. Zvonko Maković, PhD, the exhibition’s curator, with the lecture Ivan Picelj – Formative Years and EXAT 51 (October 3, 6 PM); Snježana Pintarić, PhD, head of the Painting Collection at the Museum of Contemporary Art, exhibition collaborator, and editor of the Ivan Picelj monograph, with the lecture Picelj’s Reliefs (November 7, 6 PM); Koraljka Vlajo, PhD, head of the Graphic Design Collection at the Museum of Arts and Crafts, with the lecture Visual Identities of Ivan Picelj (October 24, 6 PM); Bella Rupena with guest Marina Banažić, head of the Tošo Dabac Archive, with the lecture Picelj and Dabac – A Longstanding Creative Friendship (October 30, 6 PM).
Numerous guided tours for the public will be organized on Sundays at 11:30 AM, specifically on September 29, October 27, and November 17. An expert-led tour with the exhibition curator will take place on October 17 at 6 PM. Additionally, a Zagreb highlight and the last walking tour of the year, Art ex Machina, focusing on the New Tendencies movement and emphasizing Ivan Picelj’s work, will be held on October 19 to coincide with the Picelj and Friends exhibition.
For all information about the Picelj and Friends exhibition, please visit the website: piceljiprijatelji.hdlu.hr.
28 August 2024
IVAN FIJOLIĆ
ARMY OF NO GOOD
Bačva Gallery, Home of HDLU (Meštrovićev paviljon)
4.9.-6.10.2024.
On Wednesday, 4.9.2024. Ivan Fijolić opens his solo exhibition entitled „Army of No Good”, at 7 pm in at Bačva Gallery (Home of HDLU / Meštrović pavilion).
In her foreword, Marina Đira emphasizes:
„The exhibition Army of No Good by Ivan Fijolić brings together, in one space, the sculptures that the artist has created over the years. He has thoughtfully selected them, emphasising both his early works (e.g., Duel, 2002) and more recent ones (e.g., Mišo, 2022). The sculptures are arranged frontally, in a somewhat threatening manner, ready for any sudden confrontation. However, this is far from a typical army where individual qualities of an individual are often lost in the uniform rhythm of the collective.
Fijolić’s volunteers resemble those last-resort options in action movies, called upon in desperation when it turns out they are humanity’s only hope. These are always individuals embodying the best of everything, yet together they seem irreconcilable, torn between their egos and the fight for a greater cause. Transpose this concentrated Hollywood scenario to sculpture, dilute its plot over more than twenty years of Fijolić’s professional engagement, and the action film can be experienced as a fast-forwarded journey of a sculptor’s growth, defined by all the insights gained through constant confrontation with form. In this film, the (anti)hero becomes the sculptor, and the army becomes the evolving sculptures he sets before himself as a kind of polygonal challenge. And he masters them, transforming them into a rich sculptural arsenal for the future.”
Biography:
Ivan Fijolić was born in Zagreb (1976), where he graduated from the School of Applied Arts, earning the title of metal designer. In 2004, he graduated in sculpture from the Academy of Fine Arts in Zagreb in the class of Professor Miro Vuce, and art history methodology under Professor Emil Robert Tanay, earning the title of professor of art education. He completed his postgraduate doctoral studies in sculpture in 2016, defending the theoretical part of his doctoral thesis, The Role of the Pedestal in the Derivate of Pop-Art Sculpture with Memorial Sign, under the mentorship of Professor Peruško Bogdanić and Professor Žarko Paić. Since 2010, he has been employed at the Academy of Fine Arts in Zagreb, where he is the holder of the course in sculpture, as an associate professor. He has been actively engaged in artistic activity since 1999. Fijolić has had over 30 solo exhibitions, including six abroad (Maribor, 2002; Italy, 2004; Germany, Bosnia and Herzegovina, 2008; Serbia, 2013; Macedonia, 2014). In total, he has participated in more than 70 group exhibitions. He has also created ten public sculptures (Vrsar, 1999; Czech Republic, 2003; Bosnia and Herzegovina, 2006; Krapina, 2010; Sljeme, 2011; Sculpture Alley, Zagreb (temporary), 2014; Sinj, 2015; Technical Museum, Zagreb, 2015; Duga Resa, 2016; Glina, 2019), and has participated in two international sculpture workshops (Vrsar, 1999; Czech Republic, 2003).
He is the recipient of one of the three equivalent awards for artistic work at the XII Triennial of Croatian Sculpture, Glyptotheque, Zagreb (2015), the award for the best set design in the play Cyclops (Euripides) at the 16th JPFU Festival, Serbia (2011), the award for the work Hopscotch (Labin) at the 37th Mediterranean Sculpture Symposium (2009), the award for his thesis work Duel by the Academy of Fine Arts in Zagreb (2004), and the Rector’s Award for the exhibition Check your head out at the Vladimir Nazor Gallery (2001).
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The exhibition will be open from September 4 to October 6 2024.
Organizer: HDLU
With the support of: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb
Working hours:
Tuesday – Sunday: 11.00 – 19.00
Mondays and holidays closed.
SUMMER WORKING HOURS PRSTEN GALLERY, BAČVA GALLERY AND PM GALLERY (Home of HDLU)
Tuesday – Sunday: 9am – 12pm / 4pm – 8pm
Mondays and holidays closed.
WORKING HOURS GALLERY KARAS
Wednesday - Friday: 3pm - 8pm h Saturday and Sunday: 10am - 1pm h Mondays, Tuesdays and holidays closedHome of HDLU
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