MARIO KOLARIĆ
INSCRIPTIONS
Karas Gallery
September 17 – September 29, 2019
Opening of the exhibition: Tuesday, September 17 at 7 pm at the Karas Gallery
Exhibition Inscriptions, by Mario Kolarić, will be opened on Tuesday, September 17 at 7 pm at the Karas Gallery (Zvonimirova 58).
ARTISTS STATEMENT
I have been looking at the transparency and depth of the white surface of the paper for the last 15 years. It’s a space that keeps following me and doesn’t disappear. Out of the constant need to fulfill it, I came to a moment of reconciliation with that endless whiteness. I now fill it only to create a momentary record, as an act of confirming my presence. Also, this is probably something that will have its end, but at the moment it is how I´m looking at my work in the medium of drawing. This series consists of three larger format drawings that are a continuation of the series, exhibited at the Belgrade Youth Center Gallery last year. With little technical differences in terms of color, composition, and format, the new drawings continue to the initial idea of presence as a kind of measurement of the mental space that emerges during daily drawing practice. Using simple line repetition, as an imprint of auto-identity, a complex abstract narrative within a space that resonates with ephemerality is created. The drawing itself emerges from the static of the frame and floats freely in space, present in it with the observer. I draw the lines themselves with the help of a straightener; with which they reinforce certain spontaneities, which, despite the tendency to be exact, happen on paper. The physical contact I have with the paper in the preparatory process leaves, at that stage, hardly noticeable traces of grease from the hands. When drawing lines, they are manifested either by changing the shade of the line itself or through fingerprints that float to the surface. The very idea of presence gets its additional mark here, while the play of exact lines with a straightener and hand that inevitably errs, confirms the vibrant and elusive nature of the moment of presence.
ABOUT THE ARTIST
Mario Kolarić was born in Belgrade in 1984. He grew up in Osijek. Currently works and lives in Belgrade.
Education:
2010 – Academy of Fine Arts in Zagreb, academic painter-graphic artist
Member of HDLU since 2010
2016 participant in the Jalovik Art Colony, Jalovik, Serbia
Solo exhibitions:
2018 – “… i tako u beskraj”, Belgrade Youth Center Gallery, Belgrade (Serbia)
2017 – ”Titraj”, KC Grad Gallery, Belgrade (Serbia)
2016 – ”Vista”, Greta Gallery, Zagreb (Croatia)
2015 – ”Orbis Terrarum”, U10 Gallery, Belgrade (Serbia)
2012 – ”Home”, Galerica Gallery, Makarska (Croatia)
2011 – ”Objectivity”, ParisConcret Gallery, Paris, (France)
Group exhibitions:
2019 – ”Skriveno nasleđe”, Golubac castle, Golubac (Serbia)
2018 – ”9. beogradski susreti”, Center For Graphic Art and Visual Researches, Belgrade (Serbia)
2016 – ”39. Jalovička kolonija”, Zoran Simić Gallery, Jalovik (Serbia)
2016 – ”Remont – Studija slučaja”, Actopolis Gallery, Belgrade (Serbia)
2015 – ”U10 na preuzimanju Kolarca, Kolarac Foundation, Belgrade (Serbia)
2015 – ”24. slavonsko bijenale – selekcija”, Brod Regional Museum, Slavonski Brod (Croatia)
2014 – ”24. slavonsko bijenale”, Gallery of Fine Arts, Osijek (Croatia)
2014 – ”MUU”, old military hospital, Zagreb (Croatia)
2012 – ”Hrvatski suvremeni umjetnici”, Ernst and Young, Den Haag (Netherlands)
2012 – ”Artists’ Book on Tour”, UPM, Prague (Czech Republic)
2012 – ”Artists’ Book on Tour”, MGLC, Ljubljana (Slovenia)
2011 – ”Artists’ Book on Tour”, MAK Museum, Vienna (Austria)
2010 – ”45. zagrebački salon”, HDLU, Zagreb (Croatia)
2008 – ”Transfer magije”, Forum Gallery, Zagreb (Croatia)
Organizer:
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday and Sunday: 10 am to 1 pm
Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until September 29, 2019
MIA ORSAG
GLOBES
Karas Gallery
September 3 – September 15, 2019
Opening of the exhibition: Tuesday, September 3 at 7 pm at the Karas Gallery
Exhibition Globes, by Mia Orsag, will be opened on Tuesday, September 3 at 7 pm at the Karas Gallery (Zvonimirova 58).
(…) Mia Orsag, therefore, fills the small space of the Karas Gallery with seven – a number burdened with symbolic and associative connotations – white spheres, not entirely regular in shape, in different dimensions and prominent textures. (…)
(…) Each Mia´s sphere with its wrinkled, meshed, we would say wounded, the texture will immediately bring to our mind the particular features characteristic of the sculpture of Art Informel or New realism. But it’s just a superficial and misleading impression. These spheres do not speak so much about the agony of industrial civilization, whose material relics are embedded in artistic artifacts pervaded with existentialism, but much more about the crisis in which, in the digitally organized and ever-changing modern world, the human capacity for contemplation and memorization has fallen. (…)
(…) Mia Orsag, in her own words, approaches lace coasters and tablecloths as a medium in which the meditative energy of devotional and process-treated work is permanently stored. By drowning them in polyester, the memory of a completely different time is permanently preserved. Of course, the shape of the sphere contributes to that feeling with its roundness and completeness. Space and time have merged into one, and each of us has yet to find our sphere.
From the preface, written by Vanja Babić
ABOUT THE ARTIST
Mia Orsag was born on July 11, 1983, in Zagreb. In 2008, she earned the title of Academic Sculptor at the Academy of Fine Arts, University of Zagreb. She has exhibited in local and international exhibitions (Poland, Italy, Germany, Philippines, Vietnam, etc.), she organized several art workshops and co-organized several charity events. In 2013, she earned the title of Graphic Designer at the Ivora Educational Center for IT and Management. From September 2014 to September 2018, she worked as an external associate – gallery coordinator for Karas and Bačva galleries. She belongs to the younger generation of Croatian sculptors, who are focused on the exploration and narrative potential of the texture and material with which they create. Since 2006, she has been actively involved in the Croatian art scene. She is the author of the curatorial concept of the 33rd Youth Salon – Budget (with Martina Miholić) and the conceptual initiator of the program called Vrtlarenje – Art hangout. She is a member of the Croatian Association of Fine Artists and the Croatian Community of Independent Artists. Mia Orsag’s works are represented in several private collections. She lives and works in Zagreb.
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday and Sunday: 10 am to 1 pm
Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until September 15, 2019
Darija Jelinčić
ESCAPES
September 4 – 22, 2019
PM Gallery
Exhibition opening: Wednesday, September 4, 2019, at the Gallery PM at 20 pm
“Different Echoes”
Prsten Gallery
July 5. – 21, 2019
Opening of the exhibition: Friday, July at 8 pm at the Prsten Gallery
Curator: Ekkehard Neumann
Artists: Nikola Dimitrov (Cologne/Heusweiler), Duje Jurić (Zagreb), Friedhelm Falke (Cologne), Ekkehard Neumann (Münster), Sigrún Ólafsdóttir (Saarbrücken), Annette Wesseling (Cologne), Elly Valk-Verheijen (Lünen/Dortmund).
An echo or reverberation arises when reflections of a sound wave are so strongly delayed that one can perceive this sound as a separate hearing event. Resonance is the resonating of a body with another body. The terms echo and resonance describe very accurately the characteristics of the joint exhibition project by Nikola Dimitrov, Duje Jurić, Friedhelm Falke, Ekkehard Neumann, Sigrún Ólafsdóttir, Elly Valk-Verheijen and Annette Wesseling.
Translated into the language of acoustics: “Seven echoes that overlap and vibrate at a common frequency”. Reduced in color and form, each position develops its own differentiated language and at the same time refers to the other positions. A discourse that develops directly from intuition. The invitations now make it possible to continue, expand and discuss this artistic exchange in a new context.
The artists from Germany have been presented their exhibition project since 2016 in numerous museums and galleries in Germany and abroad. The wellknown Croatian artist Duje Jurić expands and enriches the concept with his works as the “seventh echo” in the gallery of the HDLU Zagreb. Visible are similarities, but also differences and accents. On this level, the exhibition is a visual conversation and exchange of individual artistic access between artists.
The artists have consistently followed their artistic ideas for decades. Her artistic media are rather classical: for Nikola Dimitrov, Friedhelm Falke, and Annette Wesseling it is painting, for Ekkehard Neumann and Sigrún Ólafsdóttir the sculpture, for Duje Jurić, Elly Valk-Verheijen the painting in installative pictorial form. In their respective design and content potential, these always explore new ideas and develop further formulations.
In all individual ways of accessing the artists can summarize the painting of Dimitrov, Falke, Jurić, Valk-Verheijen and Wesseling that they do not depict, but in the sense of non-objective art “shows itself”. The traces of the painting act and the painterly structures determine the picture. These develop intuitively or systematically. Similarly, the sculptural works of Neumann in iron and cast iron and Ólafsdóttir in latex and rubber on wood have been developed from free constructive or vegetal forms.
For the exhibition in Zagreb, the artist group will realize a collaborative work called “chamber echoes”. A wall structure picks up small individual works on paper made by the artists and develops a multi-faceted complex .mural of all “Echoes”.
Organizer:
Suported by:
WORKING HOURS:
Wednesday to Friday: 11.00 AM – 7.00 PM
Saturday and Sunday: 10.00 AM – 18.00 PM
Closed on Mondays, Tuesdays and holidays.
The exhibition will remain open until July 21, 2019