On Saturday, June 8, 2024, the “Weaving Techniques” workshop was held as part of the European project Artists for Artists Residency Network (AFAR).
The workshop was led by prof. Nikolina Knežević Hrgović, mag.art.edu.
The workshop was designed with the goal of collaborating with local artists, establishing international connections, and encouraging their further work. Weaving is the process of interlacing at least two systems of threads at a right angle: the warp and the weft. This process results in flat or three-dimensional textile creations, depending on the weaving techniques we use. The application of hand weaving is very broad, ranging from clothing items, home textiles, decorative elements, spatial installations, etc. In the workshop “Weaving Techniques,” we delved into the secrets of this very old and esteemed craft. We learned about the history of weaving in Croatia, got to know the parts of the loom and weaving frame, and which materials and tools are used in hand weaving. Each participant worked on their own weaving frame and learned the processes of traditional techniques that contemporary weavers strive to maintain. We also mentioned some “newer” weaving techniques and how to connect tradition with contemporary artistic expression through the magic of threads.
Additionally, we got acquainted with the work of artist Megan Dominescu and the rug hooking technique.
The Artists for Artists Residency Network, a two-year project (2023-2024), aims to improve the mobility of contemporary visual artists and curators, while creating greater opportunities for women in the arts. The project takes place in four European partner countries – Romania, Germany, Croatia and Austria. The project focuses on the development of new international exchanges and transcultural dialogue and provides a number of new opportunities for art practitioners of all ages, in different artistic media, with a special emphasis on women in art and gender equality. The result of the project will be increased awareness of the importance of cultural mobility at local legislative levels, but also in the general public, especially in the current (post)crisis European context, strengthening EU affiliation and connection with contemporary visual art.
The project includes: 12 artist residencies in Zagreb (HR), Mulhouse (FR), Bucharest (RO) and in Săcel, Maramureș (RO), 4 curatorial residencies in Zagreb and Bucharest, 12 conferences in Zagreb, Bucharest and Vienna and 1 traveling international exhibition, which will first be shown to the public in Zagreb (HR), and then in Vienna (AT) and Bucharest (RO).
Within the project:
Project partners:
Supported by:
Co-funded by the European Union – CREA-CULT-2022-COOP. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or European Education and Culture Executive Agency (EACEA). Neither the European Union nor the granting authority can be held responsible for them.
[Project number: 101100309 ]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
We are bringing you photos from yesterday’s AFAR Talk with Megan Dominescu (RO) and Sven Jozić (HR): Slowly But Boldly Going Nowhere: A map of artistic practice and visual upbringing, as part of the European project Artists for Artists Residency Network (AFAR), aimed at improving the mobility of contemporary visual artists and curators, thus creating greater opportunities for women in the arts. This project takes place in four European partner countries – Romania, Germany, Croatia, and Austria. The Talk took place in cooperation with the Academy of Fine Arts in Zagreb, as part of the course Introduction to the Theory of Art, by associate professor Josip Zanki, Ph.D.
In conversation with Sven Jozić, Megan Dominescu explored the diverse references and drives behind an artistic practice and how seemingly contrasting ideas can merge to create a unified result. Humor was an essential element that was deconstructed and examined throughout the talk. The discussion revolved around her textile creations, comics, the brand Good Boy Security, her academic education, and the cultural differences between the USA, where she grew up, and Bucharest, where she lives.
Within the project:
Project partners:
Supported by:
Co-funded by the European Union – CREA-CULT-2022-COOP. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or European Education and Culture Executive Agency (EACEA). Neither the European Union nor the granting authority can be held responsible for them. [Project number: 101100309 ]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
Megan Dominescu (RO) and Sven Jozić (HR)
in cooperation with the Academy of Fine Arts in Zagreb, as part of the course Introduction to the Theory of Art, by associate professor Josip Zanki, Ph.D.
3.6.2024, 7pm
Academy of Fine Arts – Rudolfa Kolaka 12
This talk will be exploring the diverse references and drives behind an artistic practice and how seemingly contrasting ideas can merge to create a unified result. Humor is an essential element that will be deconstructed and examined throughout the talk.
Megan Dominescu (RO) – a visual artist based in Bucharest, Romania with a background in painting and origins in Washington, D.C. She uses various mediums in her work but has focused mainly on textiles in recent years. Her works range from large-scale hand-made tapestries to embroidered interventions to textile sculptures. Megan also has started an animal (and sometimes human) clothing brand, GoodBoySecurity. Megan is a founding member at Moxa20 Studio/Gallery.
Sven Jozić (HR) is a student of Philosophy and Indology at the Faculty of Humanities and Social Sciences in Zagreb, a regular visitor and active collaborator in the exhibitions production and cultural events in the city of Zagreb through the philosophical art association Kružok, where he is the head of the editorial office. In 2017, he started promoting “world” music in cultural centers throughout Croatia to expand the media space of the sometimes truly forgotten musical arts of the world through “Hvala Sven Katalog”. In 2024, he became a member of the “Drugačija glazba” project, which is implemented through the Program of the Autonomous Cultural Center and where he is the program manager.
The Artists for Artists Residency Network, a two-year project (2023-2024), aims to improve the mobility of contemporary visual artists and curators while creating greater opportunities for women in the arts. The project takes place in four European partner countries – Romania, Germany, Croatia and Austria. The project focuses on the development of new international exchanges and transcultural dialogue and provides a number of new opportunities for art practitioners of all ages, in different artistic media, with a special emphasis on women in art and gender equality. The result of the project will be increased awareness of the importance of cultural mobility at local legislative levels, but also in the general public, especially in the current (post)crisis European context, strengthening EU affiliation and connection with contemporary visual art.
The project includes: 12 artist residencies in Zagreb (HR), Mulhouse (FR), Bucharest (RO) and in Săcel, Maramureș (RO), 4 curatorial residencies in Zagreb and Bucharest, 12 conferences in Zagreb, Bucharest and Vienna and 1 traveling international exhibition, which will first be shown to the public in Zagreb (HR), and then in Vienna (AT) and Bucharest (RO).
Within the project:
Project partners:
Supported by:
Co-funded by the European Union – CREA-CULT-2022-COOP. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or European Education and Culture Executive Agency (EACEA). Neither the European Union nor the granting authority can be held responsible for them. [Project number: 101100309 ]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
IVAN OŠTARČEVIĆ
VAMPIRE BALL
4.-25.6.2024.
KARAS GALLERY
On Tuesday, 4.6.2024. Ivan Oštarčević opens his solo exhibition entitled Vampire Ball, at 7 pm in Karas Gallery (Ulica kralja Zvonimira 58).
In their foreword, Antonela Solenički i Petar Vranjković emphasize:
“Oštarčević’s work reflects deep dilemmas and paradoxes of the human condition, raising questions about our ability to change and survive. Through the symbolism of skulls, the artist reminds us of the transience and fragility of human life while simultaneously exploring our attempts to remain relevant even after our own extinction. These themes are classically associated with philosophical reflections on existential fears, the search for meaning, and the pursuit of immortality through the creation and preservation of culture.
With Vampire Ball, Oštarčević affirms human immutability and inertia, creating a kind of time capsule filled with human vanity and efforts to survive and outlive both their own and future times. Dystopian thoughts about future times nonetheless suggest that it is time to look at the here and now – our present becomes our future unless significant changes occur. It is up to the observer to decide whether Vampire Ball is merely satire or a real possibility of a broken tomorrow.”
Biography:
Illustrator, graphic artist, painter and muralist born in Zagreb in 1990, where he enrolled and completed his studies at the Academy of Fine Arts, at the Department of Art Education. He graduated in September 2015 and is a member of the Croatian Association of Fine Artists (HDLU) and the Alpbach Club Croatia, and is represented by the Kolekcionart platform.
He has exhibited in nineteen solo and several group exhibitions in Croatia and abroad, including the Painting Biennale, Triennial of Sculpture, Triennial of Graphic Arts, and the Karas Gallery. He participated in the Croatian Association of Fine Artists’ residency in Leipzig and is active on the exhibition scene. His most recent solo exhibition was held at the Kamba Garage titled “Song of the Century.” Due to his active involvement in mural painting, he has participated in various Art Park programs, painted at Lauba during the “Non-Aligned” in 2020, at the “Zen Opuzen” festival, and in February 2019, he painted a mural in the Remetinec prison as part of the Croatian Association of Fine Artists’ project “Revitalization of Prison Space with Art.”
The exhibition will be open during the period from 4. to 25.6.2024.
Working hours of Gallery Karas
Wednesday, Thursday, Friday 4pm – 8pm
Tuesday, Saturday 10am – 1pm
On Sundays and Mondays closed.
___
http://karasarthub.eu
Organizer: HDLU
With the support of: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb
From April 20 to May 11, Liesbeth Bik and Jos Van der Pol (NL), who have been working together as Bik Van der Pol since 1995, participated in an artist residency in Zagreb as part of the European project AFAR. During the residency, they became acquainted with the local art scene through visits to studios, exhibitions, and interesting new locations outside the city of Zagreb. They also created a new artwork related to the main themes of the project: ecology, sustainability, heritage, and textile arts, which will be exhibited in the final exhibition in Zagreb, Vienna, and Bucharest. In addition to their artwork, they gave a lecture at the Putolovac gallery on May 7 at 7:30 PM, followed by a discussion with the curator of the Museum of Contemporary Art in Zagreb, Leila Topić (AFAR Talk).
The first week we explored Zagreb, we had a city tour by a guide organized by HDLU, visited the art school which is temporarily located in a former office building of the American Express, a bit outside the center, Museum of Contemporary Art and Museum of Broken Realathionships. We also went on a field trip to Bosnia Hercegovina with Josip Zanski, to Karmel sv. Ilije, a charming and engaging modern monastery in wonderful surroundings. There was a research and painting workshop in relation to the landscape. We also visited a lake nearby, and the Muzej Franjevačkog samostana, an etnograpchic museum, in Šćit. We travelled to the Necropolis, an Unesco site located in the heart of Blidinje in Dugo polje. After we returned to Zagreb, we visited an urban developement in Novi Zagreb, called Zapruđe and Lauba. Josip Zanki also took us to Privlaka, Zadar and Pag island where we saw the interventions Zanski did with art students over a period of time, and very inspiring environment. We visited Rastoke as well. Back in Zagreb we went to Mirogoj Cemetry, the collection of Vjenceslav Richter and the Ethnografic museum.
.
Within the project:
Project partners:
Supported by:
Co-funded by the European Union – CREA-CULT-2022-COOP. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or European Education and Culture Executive Agency (EACEA). Neither the European Union nor the granting authority can be held responsible for them. [Project number: 101100309 ]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
The upcoming resident within the European project AFAR is artist Megan Dominescu (RO) – a visual artist based in Bucharest, Romania with a background in painting and origins in Washington, D.C. She uses various mediums in her work but has focused mainly on textiles in recent years. Her works range from large scale hand-made tapestries to embroidered interventions to textile sculptures. Megan also has started an animal (and sometimes human) clothing brand, GoodBoySecurity. Megan is a founding member at Moxa20 Studio/Gallery.
As part of the residency, Megan will familiarize herself with the local art scene through visits to studios and exhibitions and will create a new artistic work related to the main themes of the project: ecology, sustainability, heritage, and textile arts. This work will be exhibited at the final exhibitions in Zagreb, Vienna, and Bucharest. In addition to the artistic work, she will also give a lecture at the Academy of Fine Arts in Zagreb, June 3, at 7 pm, followed by a discussion with Sven Jozić (AFAR Talk), as part of the course “Introduction to Art Theory”.
The Artists for Artists Residency Network, a two-year project (2023-2024), aims to improve the mobility of contemporary visual artists and curators, while creating greater opportunities for women in the arts. The project takes place in four European partner countries – Romania, Germany, Croatia and Austria. The project focuses on the development of new international exchanges and transcultural dialogue and provides a number of new opportunities for art practitioners of all ages, in different artistic media, with a special emphasis on women in art and gender equality. The result of the project will be increased awareness of the importance of cultural mobility at local legislative levels, but also in the general public, especially in the current (post)crisis European context, strengthening EU affiliation and connection with contemporary visual art.
The project includes: 12 artist residencies in Zagreb (HR), Mulhouse (FR), Bucharest (RO) and in Săcel, Maramureș (RO), 4 curatorial residencies in Zagreb and Bucharest, 12 conferences in Zagreb, Bucharest and Vienna and 1 traveling international exhibition, which will first be shown to the public in Zagreb (HR), and then in Vienna (AT) and Bucharest (RO).
Within the project:
Project partners:
Supported by:
Co-funded by the European Union – CREA-CULT-2022-COOP. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or European Education and Culture Executive Agency (EACEA). Neither the European Union nor the granting authority can be held responsible for them.
[Project number: 101100309 ]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
With the exhibition CreArtivci, held at the Karas Gallery from April 30 to May 2, 2024, the first in a series of educational programs within the European project Creart 3.0. was successfully completed.
The work of the students from the 16th Gymnasium, created under the mentorship of the artist Marko Zeman.
The CreArt Educational Program is part of the European project CreArt 3.0 and aims to improve collaboration between local schools, cultural institutions, non-governmental organizations, and independent professionals and companies in the cultural and creative sectors. The program builds and strengthens intergenerational connections, creates a network for cultural education exchange, and encourages future participation of school children in the cultural life of the city. Over the course of 3 years, the program will involve 76 schools in the partner cities of the project, more than 4,500 students and teachers, and 47 artists.
The work of the students from Matko Laginja Elementary School, created under the mentorship of the artist Natalija Borčić Peuc.
Some of the works by the students of Marija Jurić Zagorka Elementary School, created under the mentorship of the artist Monika Meglić.
This year, HDLU (Croatian Association of Fine Artists) has connected its educational program with the 7th Biennial of Painting, which for 14 years has positioned itself as the only national visual arts event dedicated to documenting the scene and shifts in the medium of painting. In its inaugural edition, 6 schools participated (Ivan Merz Elementary School, Matko Laginja Elementary School, Marija Jurić Zagorka Elementary School, XV Gymnasium, XVI Gymnasium, Classical Gymnasium) with more than 120 students and 6 teachers. The program consisted of guided tours through the Biennial of Painting along with an educational booklet with tasks and workshops conducted in schools under the mentorship of artists from the 7th Biennial of Painting, including Natalia Borčić Peuc, Monika Meglić, Valentina Supanz Marinić, Iva Zagoda, Marko Zeman, and Marta Živičnjak.
The work of the students from Dr. Ivan Merz Elementary School, created under the mentorship of the artist Marta Živičnjak (left), and the work of the students from the Classical Gymnasium, created under the mentorship of the artist Mihaela Rašica (right).
Mia Matijević Akrap conceptualized educational booklet under the supervision of the Teaching Department of the Academy of Fine Arts, University of Zagreb, Prof. Sonja Vuk, Duje Medić designed it, and by early January, the booklets were ready for use, followed by guidet tours for elementary and high school students.
The works of the students from the XV Gymnasium, created under the mentorship of the artist Valentina Supanz Marinić
The final result, and the culmination of this year’s educational program, was the exhibition of student works created during the workshops.
PARTICIPANTS:
Schools: Matko Laginja elementary school, dr. Ivan Merz elementary school, Marija Jurić Zagorka elementary school, Classical Gymnasium, XV. Gymnasium, XVI. Gymnasium
Artists: Natalia Borčić Peuc, Monika Meglić, Mihaela Rašica, Valentina Supanz Marinić, Marko Zeman, Marta Živičnjak
Professors: Sanja Černko Delerue, Tamara Galović, Anamarija Jukić-Ivandić, Zoran Kakša, Maja Marović, Lahorka Rožić
Students: Ante Alerić, Gabrijela Antonić, Marta Arnaut, Marija Bakmaz, Katja Barbarosa, Silvija Bašić, Jakov Beloša, Teuta Biškup, Luka Bokolić, Lucija Brajković, Domenica Brkić, Katarina Brkić, Ema Brzica, Matko Brzica, Ana Buneta, Marta Buntak , Dov Cvetković, Alan Čaldarović, Andrija Deković, Klara Dodić, Lara Đureš, Filip Felja, Julija Ferenčak, Ema Gazić, Lori Giljević, Duje Gligora, Nicol Gogić, Svebor Graonić, Lorena Grgat, Nikola Gvozdenović, Laura Hajduk, Dina Halužan, Helena Han, Lana Hižar, Ana Husak, Jakov Ivanda, Pavla Ivšinović, Iva Jakopović, Mihaela Jambrešić, Tina Jelaković, Luči Jogušt, Nicole Jozić, Ana Jukić, Ana Jurić, Franceska Jurmić, Ivan Jakov Jurović, Roza Kajs, Marko Keser Slavković, Lara Kette, Andrej Kević Janković, Lucija Kanižaj, Jakov Kitarović, Franka Kokot, Hana Kos, Maja Kresonja Jembrih, Robertina Krupa, Ivona Kučiš, Domagoj Kuliš, Ivan Leko, Iva Lovrić, Ema Lujo, Luka Marenić, Stella Margetić, Maro Maričević, Lovro Marić, Dominik Marunić, Mihael Marušić, Juraj Matek, Tin Matešin, Melani Matić, Petra Mazarević, Dora Meštrović, Ana Mihoci, Tina Mimica, Marta Mlinar, Noa Nadali, Juraj Najdek, Franka Nikolaci, Lovro Panović, Marko Pažin, Alan Peštalić, Maša Pećarina, Antonia Periček, Katarina Petrović-Poljak, Paula Pilić, David Petar Pleština, Elena Plušćec, Ivor Prelogović, Luka Primorac, Kan Priselac Novačić, Ema Rašić, Mila Ravlić, Hana Sabljić, Zola Sarnavka, Marina Slaviček, Karla Smolić Ročak, Klara Stambolija, Max Šenjug, Ela Šiklić, Enola Špoljar, Mark Štritof, Margita Šurina, Iva Šušak, Nikša Šutej, Mia Tabaković, Maksimilijan Tanšek, Sofija Taraba, Mirko Tišljar, Dora Tomić Babić, Dejan Torbica, Nikša Tunguz, Anja Vačevski, Teo Valčić, Laava Magdalena Vatsel, Mia Vernik, Karla Vrdoljak, Paula Vučković, Iris Vuković, Vito Zadro, Maša Žilavčić, Mark Živković, Nina Živković
***
CreArt is a network of 13 medium-sized European cities with the aim of exchanging experiences and good practices for the promotion of contemporary art, through a permanent transnational mobility program for emerging artists, curators and cultural workers, in order to maximize the economic, social and cultural contribution that creativity can make to local communities (#stringing_together). At the same time, CreArt 3.0 is pushing the boundaries (#pushboundaries) beyond the visual arts, empowering other artistic practices such as performing arts or music, and new collaborations with an NGO based in Lviv have also been initiated to support Ukrainian artists. Participating cities are: Kaunas, Liepaja, Skopje, Aveiro, Valladolid, Lublin, Venice, Clermont-Ferrand, Rouen, České Budějovice, Oulu and Regensburg. The project includes 45 residency programs in 15 European cities, more than 39 public events to celebrate the European Month of Creativity in 13 cities from the network, 13 educational programs to strengthen creativity and knowledge about contemporary art, 18 Street Art festivals, 10 annual festivals in galleries in 9 cities and 6 European conferences and study visits.
Organizer:
Within the project:
Partners:
Supported by:
Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.